Amy The Vampire & her Sister Martina. Corcadorca Theatre Company.

The Set was a myriad of imagery and clever idea of using handheld cameras and television screens add to the edgy and claustrophobic feel. Attention to detail was exceptional, down to the box of Mc-Cain's Steak Chips. Brian O Donnell. Irish Examiner.

Misterman: by Enda Walsh. Corcadorca Theatre Company.

Misterman is a grown man with the arrested development of a teenager , a point beautifully realized in Aedin Cosgroves set with its twinkling miniature town and over and undersized furniture. Lyn Gardner. The Guardian.

TheMai. by Marina Carr. Director Brian Brady. Peacock Theatre.

Aedin Cosgrove lights with great sensitivity both to atmosphere and illumination. David Nolan. Irish Times.

Peepshow. Pan Pan.

The Lighing cast on the scene by Aedin Cosgrove turns this performance into a mixture of eery spectacle and exorcist inferno.

Mr. Staines. Dermot Healy. Pan Pan.

This Production shows Pan Pan's extremely high standards of design and imagery.

Night Just Before the Forest: Maire Koltes. Bedrock Productions.

... The Themes of betrayal and loss are complimented by Aedin Cosgrove's throbbing organic light.

Disco Pigs. by Enda Walsh. Corcadorca Theatre Company.

...Superb acting along with a perfect synthesis of design and lighting by Aedin Cosgrove make this a production of some consequence. Mary Leland. Irish Examiner.

Eileen Walsh's performance along with Aedin Cosgrove's Design (inspired!) are the best thing about this production. Alex Osbourne. The Sunday Times.